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THE
THIN LINE |
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The
Thin Line, Alan Wilder's studio is set deep in the Sussex countryside
and offers an atmosphere conducive to his unique style of music production.
Conceived as a self-contained, purpose-built programming and recording environment,
it is housed within a large, open-plan building and contains an assortment
of classic analogue and cutting-edge digital recording equipment.
The original property which dates back to the mid. 19th century had
suffered from years of ill-conceived alteration, all but draining the building
of it's very life force. Alan was moved to resuscitate it, re-creating what
he describes as:
"a living, breathing space designed not
necessarily for controlled sound but with the feel of a workshop, with plenty
of light." |
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Under
the watchful eye of Wilder, a team of expert builders, electricians and
steel workers, spent 6 months gutting, reinforcing and rewiring the site
before a spiral staircase and mezzanine bedroom area was constructed,
along with a fully equipped stainless-steel kitchen and bathroom.
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Whilst
converting the cellar to house necessary amplification equipment, the team
discovered a disused underground water tank and ingeniously transformed
it into a drum booth. A specialist lighting company (Box Products)
was commissioned to add the unique atmospheric details.
Finally, Alan called in Kevin Van Green, a professional studio designer,
to run all the necessary cabling for the equipment, incorporating a Soundtracs
mixing console and Dynaudio monitors, somewhat unusually suspended
by chains from the building's steel structure. Alan's arsenal of equipment
was rack-mounted within Kevin's unique scaffolding system - a combination
of metal frames, sliding work surfaces and extractable pods, customised
to contain a range of samplers, synthesizers, tape machines, computers and
effects. |
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The studio decor, which echoes Alan's
interest in architecture and interior design, includes carefully thought
out details such as chromed bench radiators, a burnished steel
fireplace and a 3-piece suite constructed from the seats of his first
car, a 1974 Citroen DS.
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He
consciously avoids the usual studio accoutrements such as gold discs and
photographs with Elton John, but there are personal touches, like a framed
print of the 'A Broken Frame' album cover and an assortment
of thirties and forties telephones. |
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Wilder's characteristic attention
to detail in all aspects of his life, ensures that The Thin Line not
only lends itself to a minimalist, industrial style but also exudes a
unique ambience and personality, preventing it from ever feeling merely
a workplace.
"It was always my intention to design
this studio so you could simply remove all the gear and be left with a
really interesting open-plan building. I particularly like the way the
bedroom gallery overlooks the whole room and the floor to ceiling shuttered
windows provide fantastic views. The only problem I have is that in the
winter, the place is so bloody cold!"
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For
more insight into Alan's studio and further information about the equipment
he uses, go to media
and read the 'Future Music' and 'Sound On Sound' features. |
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